director Kamila Andini Awarded Best Film at Asia-Pacific Screen Awards

Written by on November 11, 2022

Indonesian director Kamila Andini’s “Before Now and Then” used to be named satisfactory movie at the Asia Pacific Screen Awards. The film’s lead actor Happy Salma used to be on hand to acquire the award at a ceremony in Gold Coast, Australia, on Friday.

The movie recounts the story of a younger female who escapes an anti-Communist purge and leads a quiet existence as the 2d spouse of a rich man. But her previous traumas resurface in her dreams.

Although the win is the first time that an Indonesian title has been named APSA’s high-quality film, and the first time that a female has claimed the prize, it is the 1/3 time that Andini has received a characteristic movie APSA. Previously, she received the great children’s movie prize with “The Mirror Never Lies” in 2012 and accrued the childhood characteristic movie prize with “The Seen and Unseen” in 2017.

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Other key prizes on Friday went to Indonesian critic-turned-filmmaker Makbul Mubarak who gained the APSA for fine screenplay for “Autobiography”; Niklas Lindschau who received the APSA for first-rate cinematography for “The Stranger” (aka “Al Garib”) from Palestine; and to French-Cambodian Davy Chou received the pleasant director prize for “Return to Seoul.”

The APSA’s appearing awards have long gone gender impartial this year. The new first-rate overall performance award went to Korean woman actor Lee Jeong-eun (“Parasite,” “Okja”) for her position in “ Hommage” (aka “Omaju”). The satisfactory new performer award additionally went to a Korean woman, Park Ji-min in “Return to Seoul,” the solely movie to win more than one awards on the night.

The APSA Jury Grand Prize used to be given to “This is What I Remember” (aka “Esimde”) from Kyrgyzstan director Aktan Arym Kubat.

The exceptional documentary prize used to be awarded to India’s “All That Breathes.” The APSA for satisfactory childhood movie went to Jordan’s “Farha,” directed by way of Darin J Sallam. Armenia’s “Aurora’s Sunrise,” the story of a forgotten genocide survivor became silent Hollywood movie superstar and philanthropist, gained the APSA for fantastic animated film.

Also introduced for the duration of the APSA Ceremony had been the 4 recipients of the 2022 MPA APSA Academy Film Fund grants, really worth $25,000 each. They are: Khadija Al Salami (Yemen/France) for “I Wish I Were a Girl”; Kirby Atkins (New Zealand) for “Levity Jones”; Anne Kohncke (Norway) for “A Disturbed Earth”; and Lai Weijie Lai (Singapore) for “The Sea Is Calm Tonight.”

After dropping the monetary backing of Brisbane for the duration of COVID, the APSA occasions are in recuperation mode. They moved from Brisbane to Gold Coast, stored tourist numbers tight and made use of the newish Home of the Arts complicated that has been constructed because the APSAs had been first on the Gold Coast in their early days.

With the persevering with assist of our bodies inclusive of Screen Queensland, the Motion Picture Association and Griffith University, the APSAs had been despite the fact that in a position to preserve a screening collection jogging over countless days and a software of industry-focused seminars.

It was once the first time in three years that the ceremony was once held with nominees in a position to attend in person. Under COVID conditions, Queensland’s strict border insurance policies supposed that even out-of-state Australian had been no longer capable to attend.

This time in-person visitors included: MPA Asia Pacific president and MD Belinda Lui; superstar Filipino actor John Lloyd Cruz; Australian filmmakers Todd Fellman, Chris Amos and Katrina Iriwati Graham; Tearepa Kahi, director of New Zealand’s Oscar contender “Muru”; Thai producer Mai Meksawan; and Korean director Shin Su-won.

While the match was once in a position to rejoice a return to in-person activities, the awards dinner symbolically held open an empty chair for the many Asia-Pacific filmmakers who are presently assist prisoner by using their governments. Of specific word was once Iran’s Jafar Panahi, who used to be on the jury of the first APSA Awards in 2007 and is presently in jail.

Previously introduced APSA awards included: the Cultural Diversity Award Under The Patronage Of UNESCO which went to “Muru”; the Young Cinema Award in partnership with NETPAC and Griffith Film School, which was once awarded to Saim Sadiq for Joyland (Pakistan); and the FIAPF Award which went to Lebanese filmmaker Nadine Labaki.


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